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MGM released a DVD edition of “The Fine, the Abominable and the Repugnant” in the slow 1990s, but it had few extras, a mono soundtrack, and a scratched print. Finally, MGM has given Sergio Leone’s Western yarn the double-disc special edition it deserves. The print is restored and as positive as I’ve ever seen it, the sound is now an wonderful 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) nineteen minutes of footage from the Italian new have been restored, and the discs are packed with extras. Even the packaging is great: a sturdy interlocking box, with the DVDs kept in the upper and bottom parts of the two lids. Also inside the box are cards containing posters for the film in five different countries.
The film, like most of the European Westerns of the 1960s, was critically disregarded in its day. The Current York Times said of it: “the most expensive, pious, and repellent movie in the history of its uncommon genre. There is scarcely a moment’s respite from the harm.” It’s astounding how people missed the brilliance of this movie, which turned Western conventions upside down in such a wonderfully bizarre, European contrivance. Now the film is considered a classic, and only Sergio Leone’s believe “Once Upon a Time in the West” (another immense 2 DVD station, by the method) has more respect in the genre. Leone’s exclusive style — stretched out time, obsession with close-ups and gross wide-shots, focus on rituals, and utilize of Morricone’s wild and avant-garde accumulate — are all in tubby force in this fable of three treasure-seekers searching for a cache of gold coins on the Texas-New Mexico border during the Civil War. The implacable and unflappable ‘hero’ Blondie (Clint Eastwood), the crazy humorous bandit Tuco (Eli Wallach), and the calculating sinister sadist Angel Eyes (Lee Van Cleef) contemptible each other’s paths amidst the senseless violence of the war. Leone perfectly contrasts the self-interested men with the greater backdrop of the tragedy of war. It’s a strangely emotionally affecting relate despite its focus on three men who are level-headed from normal society and seem not to care about anything but money. So many individual scenes stand out for their virtuosity that the movie a parade of “greatest hits.” Most unbelievable of all is “The Ecstasy of Gold” sequence where Tuco dashes madly through a cemetery, looking for the grave that might believe the gold. Morricone’s music here is especially overwhelming.
Chances are you’ve seen the film and esteem it. What about the novel scenes and the extras?
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Nineteen minutes of footage have been restored that were never shown in the American prints. The scenes integrate perfectly into the film, and after seeing them once, you won’t be able to imagine they were ever missing. Among the scenes are Angel Eyes visiting a destroyed fort; Tuco hiring bandits to benefit him mosey Blondie; Blondie and Angel Eyes having a face-to-face when they first region out together to pick up the gold; and some extra conversation between Tuco and Blondie in the desert. However, these scenes were never dubbed into English in the 1960s. Therefore, the DVD producers had to newly dub them. Eli Wallach and Clint Eastwood do their absorb voices. An actor named Simon Prescott does the imitation of the deceased Lee Van Cleef. Admittedly, Wallach and Eastwood no longer sound the same, but I couldn’t imagine someone else imitating their voices — it couldn’t have been done any other arrangement. Prescott is glowing splendid as Angel Eyes, if a bit more gravelly.
The extras…
Disc 1 has audio commentary by Richard Shickel, a film historian who wrote Eastwood’s biography and also did commentary on Leone’s “Once Upon a Time in America” DVD. His comments can be shapely dry, and he focuses mostly on Leone’s style and techniques instead of on background information on the filming itself. Nonetheless, there are many sharp insights, and Shickel manages to say a lot during the three-hour running time.
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Most of the extras are on Disc 2:
“Leone’s West” — A 20-minute documentary about the making of the film. Includes interviews with Shickel, producer Alberto Grimaldi, author of the English dialogue Mickey Knox, and best of all, Eastwood and Wallach. There’s some very absorbing info and memories here, mostly from Knox and the two actors.
“The Leone Style” — A 23-minute documentary, really impartial an extension of the first one. It spends more time on Leone’s modern techniques. The same interviewees appear here.
“The Man Who Lost the Civil War” — A 14-minute documentary that was produced separately from the DVD. It makes no mention of the movie, but is about its historical backdrop: the disastrous General Sibley campaign in Texas. Sibley appears in the film briefly, and this short documentary gives the viewer an valuable insight into the world of Blondie, Tuco, and Angel Eyes.
“Reconstructing The Excellent, the Abominable and the Shocking” — An 11 runt behold into the painstaking work keen with fixing the describe and sound, restoring the nick scenes, and re-dubbing it.
“Il Maestro: Ennio Morricone” — 8 minutes; mostly an interview with music scholar John Burlingame about the film’s secure. At the raze of the feature, you can decide to listen to an audio-only twelve-minute lecture by Burlingame that provides a considerable more in-depth analysis of the music.
“Deleted Scenes” — Two scenes couldn’t go help into the film. The extended torture scene had a damaged negative, so here it is in its rougher plot. An apparently lost scene is reconstructed through text, stills, and clips from the French trailer.
Finally, there’s a gallery of posters, the unusual trailer, and MGM tossing in some gratuitous advertising for their other films.
Don’t miss this DVD. Not only is it one of the sizable action films and one the mammoth westerns, but it’s the kind of release that the DVD format was invented for!
“The Satisfactory, the Awful and the Monstrous” is Sergio Leone’s record masterpiece. While it is piece of his Spaghetti Western Trilogy( all three films have different characters and plots), the film stands on its gain and really shows you how pleasurable a movie can really be. This movie has it all. It has action, drama and even some comical relief in it. It is a timeless classic that is unforgettable. When I first saw it, I was a petite kid and couldn’t truly bask in it as I can now at age 22.
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Blondie (The Man with No Name) isn’t your typical genuine guy. He mainly does things that suits his bear agenda. However, when compared to the murderous Angel Eyes and the greedy Tuco, Blondie is a saint. This myth involves bloodshed, shoot-outs, search for love, and double-crossing. And it all takes position while the Civil War is going on, which makes things a lot more “titillating” for the celebrated three. The West has never been wilder or more unpredictable than it is now. With an extraordinary catch, top-notch acting, and splendid story-telling, this is one memorable film that you will never forget.
As I said in the beginning, the first time I saw this was when I was a shrimp kid. When I unbiased recently purchased this unusual edition of the movie, it truly was like I was watching it for the first time. Coming from a guy who isn’t a mountainous fan of Westerns (I don’t mind them, but I don’t observe too many of them), I absolutely LOVED this film. In fact, I wanted to give it a standing ovation when it was all said and done due to how moved I was by it. This really is filmmaking at its finest. I wasn’t terribly impressed with Leone’s “Once Upon a Time in America,” but he is absolutely flawless with this incredible and timeless Western. It is slower than the second film (”For a Few Dollars More”), but I contemplate that makes this all the better. The beget up of tension is considerable more indicate in this film, and you really obtain the sense that these characters are loyal people. Clint Eastwood, Lee Van Cleef and Eli Wallach are bright in their roles, and a lot of props need to go to Lee Van Cleef as he is absolutely chilling in his role.
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This unique edition really does the film the justice it deserves. The film has been restored to the director’s recent vision as great as possible, giving you an extra 18 minutes. You will peer the added scenes as the voices have been re-dubbed (the first time you will behold this will throw you, as I contemplate that specific section has the worst re-dubbing, but the other added scenes are done a lot better, even if you tranquil stare it) . The relate looks fabulous and the sound is tall. Extras included are commentary from Richard Schickel, a couple of documentaries and featurettes, poster gallery, deleted scenes and the novel theatrical trailer. Along with the nice packaging, you glean an 8-page booklet that includes pictures from the film along with Roger Ebert’s most modern review of the film. And, you derive some mini-posters included inside the packaging as well. A beneficial edition of the movie, without query.
“The Ample, the Dreadful and the Frightful” is a pure triumph in filmmaking and should be seen by everybody at least once. Don’t let the fact that this is a Western throw you. I reflect this can be enjoyed by everybody, and even by those who are not tremendous fans of Westerns. A film filled with authentic emotion and action, this is one that shouldn’t be missed by anyone. I Care For this movie, and I cannot affirm that enough. -Michael Crane
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